Live action and a video screening are used to develop and launch a new, revolutionary product in an attempt to deal with the suicide bombing problem. The official spokesman, a grimy-toothed, bloody-eyed creature, provides the viewers with a frantic text on the subject and a large smile in the name of the crafty Jewish mind. Participants in the project include secret agents, scientists, forensic doctors, and Israel’s biggest dairy company.
July 2002
Falling in Love Again
A story about total love, reaching the spilled intestines of the loved one – a dead fish. The work is fashioned after silent movies and dark comic books, via a sequence of fragmented, shattered images accompanied by a text. Boasting a low-budget, sketchy aesthetic, the segments provide a comical-yet-chilling examination of the limits of passion and violence-ridden theatrical-cinematic conventions.
April 2003
Short, Quick, and Under Threat
A short story – a surrealistic fantasy on an Oedipal theme – outlines a series of actions, visual elements, and alternately slack and frenzied rhythms. Moving freely in the gradually lit hall, the audience served as a witness peeking on a consistent activity – one that preserves a tension between cold, clean, mechanical expressions and ones that are grimy and expressive. The body – a central instrument for these purposes – leaves behind a visual product, the cumulative remnants of a story, entirely “secreted” in 30 minutes.
MAY 2004
Strawberry
In the commotion of the event, an audience gathers around a window through which the image of a giant strawberry giving birth to live worms and embryonic “blood strawberries” can be seen. Blood pumped from the strawberry gradually fills condoms inflated with dry ice – a sequence of frenzied procreative (or anti-procreative) activities, pulling together fantasy worlds and a bizarre chemistry lab.
